Furniture Association Wang Xiulin: An excellent craftsman, first of all have a conscience
On October 16th, the three-day 2011 Zhongshan (Longdu) mahogany furniture culture festival set a perfect ending. During the exhibition, Wang Xiulin, a senior consultant of the Traditional Furniture Professional Committee of the China Furniture Association and the master of the restoration works of the Forbidden City, was invited to Shaxi for the first time to come to the cultural festival site and in-depth enterprises, comment on the on-site mahogany boutique, spread the knowledge of mahogany, and promote the Chinese culture. So, what kind of feelings and views does Master Wang Xiulin have for the Shaxi Redwood Furniture Culture Festival? What kind of expectations will be raised for the development of Shaxi Redwood Industry? Come and hear what he said.
Wang Xiulin
Reporter: Teacher Wang, hello. Can you talk about your views on the Shaxi Redwood Furniture Culture Festival?
Wang Xiulin: Shaxi’s cultural festival is still good, and the cultural and artistic atmosphere is also strong. I believe that this event is very influential for the development of the Shaxi Redwood Industry. If the entrepreneurs, enterprises and excellent craftsmen in Shaxi Town show the climax of the mahogany culture and skills of Shaxi Town through different channels. . Then, in the future, the Shaxi Redwood Industry will definitely get better and better!
Reporter: You just mentioned the excellent craftsman of Shaxi Redwood Industry, then how can you become a good craftsman?
Wang Xiulin: An excellent craftsman must first have a conscience. His conscience is Chinese. He must use every material reasonably, and it is very rigorous for each process. The inheritance process is combined with modern mechanization. The furniture produced has reached a high standard in shape, art and material. It is not something that ordinary woodworkers can do. If you only earn money, for the craftsmen of life, especially for piece counting, then the phenomenon of cutting corners will happen in different parts of the country, so you can't call it a craftsman.
Reporter: Now the entire mahogany industry, the phenomenon of lost technology is more serious, how do you feel that it can be passed down well?
Wang Xiulin: This must first be taken seriously by the government and take measures. In an impetuous society, we must first remove the impetuous psychology of enterprises and consumers and learn to treat the mahogany industry rationally. Secondly, it is very important to have enthusiastic entrepreneurs unite and do things with practical actions, such as running private schools and cultivating craftsmen.
Reporter: How long does it take to train a good craftsman?
Wang Xiulin: To refer to the cultural relics left by the older generation, go to the Forbidden City to visit and experience the furniture culture of the Forbidden City in China, and to understand the cultural connotation. Of course, the craftsman is hardworking. Ten years of training a college student, 15 years can not cultivate a good craftsman.
Reporter: The Shaxi Redwood Industry has promoted original works, but in order to comply with the development of the times, it is necessary to innovate. What do you think of this?
Wang Xiulin: The original works are divided into Ming-style furniture and Qing-style furniture. They represent the peak of the craftsmanship and styling of Chinese Ming and Qing Dynasties. However, these furniture inherit the development process of different dynasties and different dynasties. The organizer of that era, the cultural connotation and inheritance of the creator. Therefore, inheritance and innovation and development, in the inheritance, such as the ring chair, why the Ming-style circle chair is so popular, because it has culture in it, and in line with ergonomics, this is the expression of cultural connotation.
In the process of inheritance, of course, innovation is also needed. It is only in the innovation that we should not leave the traditional four elements of Chinese classical furniture culture: "shape, art, rhyme, material". The charm must make the Chinese people's integrity, hard work, honesty and other excellent qualities, especially in the shape. Including our skeleton structure, all are cultural. Therefore, I hope that on the basis of the inherited structure, it will be more beneficial to the environment in which modern furniture is used. I hope that the original furniture will be carried forward on the basis of inheritance.
Reporter: What do you think of the development of the Shaxi mahogany furniture industry?
Wang Xiulin: According to the current development of Shaxi Redwood Industry and the efforts made by Shaxi Government, Shaxi Redwood Industry is sure to get better and better. As long as the enterprise is the same as the furniture, the quality of the products, the craftsmanship, etc., the development space is incalculable.
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